Basics. Airbrushing.
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Most craft paint dries pretty soft when air-brushed. I've played with stuff that was soft enough to take fingerprints through gloves. Future, on the other hand, is very hard so when you mix the two you get a much harder coat.
Airbrushing enable one to blend paints, that combined with the softness of the craft paint enabled the solvents to help the two mix more even when sprayed.
Airbrushing enable one to blend paints, that combined with the softness of the craft paint enabled the solvents to help the two mix more even when sprayed.
Abolish Alliteration
AhHa, so if I were to paint over with some model acrylic paints, then I might not get *quite* as good results with the different layers blending in together. Either way, I see what your saying. It's not just the paint or the Future, but the Airbrushing that really allowed the blending to occur so well. Haha, maybe I'm just learning quickly on better techniques.
I had no idea craft paint dried softer. It's no wonder I was trashing the paint just by looking hard at it.
Edit: Actually, now that I've slept on it, I think I know exactly what you are saying and what was going on. The ammonia in the Future dissolved a little of the old paint enough to blend better with the new paint, and the fact that the old paint was soft, and the new paint was being AB'ed on, just helped the blending.
I had no idea craft paint dried softer. It's no wonder I was trashing the paint just by looking hard at it.
Edit: Actually, now that I've slept on it, I think I know exactly what you are saying and what was going on. The ammonia in the Future dissolved a little of the old paint enough to blend better with the new paint, and the fact that the old paint was soft, and the new paint was being AB'ed on, just helped the blending.
- Jonas Calhoun
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It's called tip dry. Typically shows up with acrylics, some more than others (I've had it with Vallejo and Testors, but not with Gunze Sangyo and Tamiya). It's caused by acrylics drying so quickly, and is affected by the amount of paint being sprayed, the psi of the air source, etc.SJM wrote: Over the past couple of airbrush sessions, there as been a tiny paint clot (bloob) appearing on the top of the needle peice.
Use a bit of retarder in your paint, see if that doesn't help. Liquitex slo-dri, Golden acrylic retarder, there's a few others out there. Lots of the manufacturer's thinners already have retarder in it (Gunze Mr. Leveling Thinner).
Dan
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Are these interchangable
From Badgers garage sale... I picked up the 360 and the 150. the 150 was just the AB w/o any bottles to go with it.
My question is this... can I use the whole bottle/siphon assemble from the 360 with the 150 or does that require a different setup?
My question is this... can I use the whole bottle/siphon assemble from the 360 with the 150 or does that require a different setup?
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Thanks manJonas Calhoun wrote:It's called tip dry. Typically shows up with acrylics, some more than others (I've had it with Vallejo and Testors, but not with Gunze Sangyo and Tamiya). It's caused by acrylics drying so quickly, and is affected by the amount of paint being sprayed, the psi of the air source, etc.SJM wrote: Over the past couple of airbrush sessions, there as been a tiny paint clot (bloob) appearing on the top of the needle peice.
Use a bit of retarder in your paint, see if that doesn't help. Liquitex slo-dri, Golden acrylic retarder, there's a few others out there. Lots of the manufacturer's thinners already have retarder in it (Gunze Mr. Leveling Thinner).
Dan
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I mostly have the dry-tip problem when doing shading effects, using lots of air and little paint. I keep a bit of water/windex in a cup with a stiff brush to clean up now and again. And keep the paint pretty thin.
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I don't think this has been covered before, but with my airbrush when I pull back on the trigger it sticks. It doesn't effect the painting that much but it's annoying. Can I just take some regular oil that you would use for something like a bike chain, put a bit of that on and be done with it? I also have some compressor oil, would that work better?
Or is there some special type that you have to get?
Thanks.
Or is there some special type that you have to get?
Thanks.
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If you have some tri-flow, that may be a good lube for the airbrush. That's what I use on my bike. I have a little lube from an airbrush cleaning kit which seems pretty similar.
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Detailing with an AB
Want to try this... never have.
I would like to know that is the best way to do detailing with an AB? Meaning, I am guessing that I have to really thin the mixture down and then should the air pressure be low.... like 10 - 12lbs or high?
What I am looking at AB is the coolant parts on the Nacells.
Thanks
I would like to know that is the best way to do detailing with an AB? Meaning, I am guessing that I have to really thin the mixture down and then should the air pressure be low.... like 10 - 12lbs or high?
What I am looking at AB is the coolant parts on the Nacells.
Thanks
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Re: Detailing with an AB
Thinner works better, you want it more like a glaze or even like coffee, then build it up in multiple light coats, the first couple of coats should barely be seen. I've done this with Tamiya smoke, really thin it down and slowly build up the shadows, works great, just takes a while.starmanmm wrote:Want to try this... never have.
I would like to know that is the best way to do detailing with an AB? Meaning, I am guessing that I have to really thin the mixture down and then should the air pressure be low.... like 10 - 12lbs or high?
What I am looking at AB is the coolant parts on the Nacells.
Thanks
Typically you go with lower pressure the thinner the paint, but there's so many variables when it comes to adjusting the pressure that I suggest starting at 10psi and raise the pressure as needed until you get the effect you want.
Ken
Tamiya problem
Never seem to have this problem before.
Using HP CR to shoot Tamiya at 20 - 22 psi at a distance of 8 -10" from the kit.
Humidity is around 40%.
Paint is thinned with their thinner.
In some spots, it looks like it is lightly pebbled.
Any ideas as to what is causing this?
I'm hoping that I can lightly wet sand it with 1200 and then shoot it again to get a smoother finish.
Using HP CR to shoot Tamiya at 20 - 22 psi at a distance of 8 -10" from the kit.
Humidity is around 40%.
Paint is thinned with their thinner.
In some spots, it looks like it is lightly pebbled.
Any ideas as to what is causing this?
I'm hoping that I can lightly wet sand it with 1200 and then shoot it again to get a smoother finish.
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Re: Tamiya problem
Sounds like a combination of:starmanmm wrote:Never seem to have this problem before.
Using HP CR to shoot Tamiya at 20 - 22 psi at a distance of 8 -10" from the kit.
Humidity is around 40%.
Paint is thinned with their thinner.
In some spots, it looks like it is lightly pebbled.
Any ideas as to what is causing this?
Air pressure too high
Spraying too far back
Environment is too dry
The paint is partially drying in the air on its way to the model, what happens is that it can't level out in time before it dries, resulting in the pebbles.
Ken
Yeah, that is what I was thinking was the problem.
Any suggestions on a fix?
Thinking of wet sanding it with either 1200 or just a tee shirt and then see what happens.
A friend of mine suggests that the gloss clear may just level it all out.
Funny thing is... the dark color is the problem child while the light color, that I just sprayed, went on ok.
All settings and distances were the same for both colors.
Any suggestions on a fix?
Thinking of wet sanding it with either 1200 or just a tee shirt and then see what happens.
A friend of mine suggests that the gloss clear may just level it all out.
Funny thing is... the dark color is the problem child while the light color, that I just sprayed, went on ok.
All settings and distances were the same for both colors.
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Sounds like a plan.
Looking at it now.... doesn't look so bad, but I would still like to smooth the final coat out.
This kit (PL D7) has been the kit from hell.
Biggest problem has been that the seam along the neck keeps showing up thru the bondo. I think that I have finally got it taken care of and now this.
Hey, will work my way thru it.
Best part is that I lit this sucker and looking forward to seeing it completed so that I can go back to my 22" Constellation.
Looking at it now.... doesn't look so bad, but I would still like to smooth the final coat out.
This kit (PL D7) has been the kit from hell.
Biggest problem has been that the seam along the neck keeps showing up thru the bondo. I think that I have finally got it taken care of and now this.
Hey, will work my way thru it.
Best part is that I lit this sucker and looking forward to seeing it completed so that I can go back to my 22" Constellation.
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All,
What thinner-to-paint ratio would you use if you wanted to apply a few translucent flat [mediumish] gray MM enamel coats?
The model I'm thinking about trying this with will be blue-gray with very dark green highlights. I want the green and underlying blue-gray still somewhat visible, but darkened and "blended" together ever so slightly.
What thinner-to-paint ratio would you use if you wanted to apply a few translucent flat [mediumish] gray MM enamel coats?
The model I'm thinking about trying this with will be blue-gray with very dark green highlights. I want the green and underlying blue-gray still somewhat visible, but darkened and "blended" together ever so slightly.
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- MillenniumFalsehood
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Got a couple of questions, one of which I'm sure I know the answer to:
Will Alclad airbrush cleaner be alright to use to thin enamels (pretty sure this will eat off the undercoat, but I had to ask).
What paint brands and types can be airbrushed straight from the bottle?
Will Alclad airbrush cleaner be alright to use to thin enamels (pretty sure this will eat off the undercoat, but I had to ask).
What paint brands and types can be airbrushed straight from the bottle?
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Not really, it's lacquer thinner.MillenniumFalsehood wrote:Got a couple of questions, one of which I'm sure I know the answer to:
Will Alclad airbrush cleaner be alright to use to thin enamels (pretty sure this will eat off the undercoat, but I had to ask).
What paint brands and types can be airbrushed straight from the bottle?
What brands? Well Alclad II, Model Master Metalizers (IIRC)... can't think of any others off hand.
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I don't believe metalizers are suitable for airbrushing; as I recall, they'll eat up the inside of the brush because they are composed of tiny metal fragments.
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Hmm. I wonder where I heard that they'll eat up a brush. . .
Thanks for the heads up. I'll probably get some.
Thanks for the heads up. I'll probably get some.
If a redhead works at a bakery, does that make him a gingerbread man?
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- Lt. Z0mBe
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All paints eat up the brush at the needle and nozzle, metallic paints just more so. You're effectively firing pieces of mineral pigments though a tiny aperture at relatively high pressure and volume. When those pigments are no longer just pigments essentially from the ground or the lab, but are flakes of metal, the damage is accelerated. That is why nozzles wear over time and so do needles. Hell, even just firing non-pigmented inks, like Winsor & Newton, will gradually erode the needle and nozzle, just like any high pressure fluids would erode any other such arrangement.MillenniumFalsehood wrote:Hmm. I wonder where I heard that they'll eat up a brush. . .
Thanks for the heads up. I'll probably get some.
I hope this helps.
Kenny
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Ah, okay. I forgot about the "high-speed bits of flying pigments suspended in carrier" bit.
Thanks for the explanation Lt. Z0mBe.
Thanks for the explanation Lt. Z0mBe.
If a redhead works at a bakery, does that make him a gingerbread man?
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Airbrushing Clear Parts
Hi folks!
I'm new at airbrushing, and wanted to know how do you paint clear parts with clear paint.
What's the pressure, distance, paint consistency, and so on that you should have?
I tried and the result was a blutchy job. I had more paint in some areas and not enough in others. It wasn't uniform if you know what I mean.
I used a Tamiya Clear Blue diluted with Tamiya thinner.
Thank you!
I'm new at airbrushing, and wanted to know how do you paint clear parts with clear paint.
What's the pressure, distance, paint consistency, and so on that you should have?
I tried and the result was a blutchy job. I had more paint in some areas and not enough in others. It wasn't uniform if you know what I mean.
I used a Tamiya Clear Blue diluted with Tamiya thinner.
Thank you!